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Later, Diamond sent me several paintings that she saw as her Nap Dress vision board: John William Waterhouses Lady of Shalott (1888), Dante Gabriel Rossettis Lady Lilith (1867), John Everett Millaiss Ophelia (1851), all of which feature (white, slender) women in various states of repose, looking equally fragile and formidable with gauzy gowns and flame-red hair
The length keeps it playful, the fit keeps it chic, and it pairs perfectly with tall boots like these from Larroud
Light, airy, and full of graceful luminosity
Heres what working at a boutique taught me: Our shoppers loved buying dresses that balanced flattering styles with comfortable fits
