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Thus, it was not necessarily the dress itself that prompted scorning, but instead Gautreau's way of wearing it (with the slipped shoulder strap and heavy make-up)
Sargent held onto his portrait until 1916, a year after Amlies death in obscurity, when he sold it to the Met
These are all such pretty pieces for summer
The wide sleeves create a dramatic effect, balancing the fitted bodice perfectly
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