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After Sabrina , Givenchy became a fixture in Hepburns increasingly successful career and he would exclusively create her wardrobe for both her private life and her seven subsequent films: Funny Face (1957), Love in the Afternoon (also 1957), Charade (1963), Paris When It Sizzles (1964), How to Steal a Million (1966), Two for the Road (1967) and, of course, Breakfast at Tiffanys
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The charming three-quarter puff sleeves and an elegant illusion jewel neckline offer a sophisticated yet age-appropriate look, while the dramatic ruffled skirt creates a perfect A-line silhouette built for twirling on the dance floor
