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Nearby informational placards provided some details on this gown and its preservation: Burgundy Ball Gown, 1939 Silk velvet with ostrich feathers, taffeta, glass teardrop beads with red paint finish, red glass beads in metal mount Walter Plunkett, costume designer Conserved by Cara Varnell, 2010-2012 Conservation work was performed primarily on the interior of the costumes where vulnerable areas were reinforced with archival support material and conservation stitches
The statement belt flatters the waist, while the lightweight silhouette keeps things cool
Rowe had already planned to promote her later in the spring, but after that understudy performance, there was no doubt in my mind she was ready, she says
