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making early records in 1952 with Tito Puente
Johann Sebastian Bach arranged and parodied his own and other composers' works
4 Para El Ritmo - Maquina Para Hacer Bailar
The Temptations and many more
Liszt/ Clement - Confluences In Stock making early records in 1952The programme of Maurice Clement's album Confluences represents 'a process of merger' in which works by a number of composers are contrasted with one another. Taking a transcription of the Prelude from Tristan (in a concert version arranged by the composer) as point of departure, the pieces illustrate the influence of Wagner on German and French composers from the mid nineteenth century to the early twentieth. This musical concept also goes to justify
