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Frank pivoted to avant-garde filmmaking in the late 1950s (directing classics like Pull My Daisy and the unreleased Rolling Stones documentary Cocksucker Blues) before returning to photography in his later years with highly personal
a watershed photo-text publication that launched the influential Exhibit Format series and revolutionized the American environmental conservation movement
Illustrated with seldom seen photographs by these masters from the collection of the Virginia Museum
Cover photo by Herb Breuer
History of Photography, an International Quarterly, 15:2 (Summer 1991). Alfred Stieglitz. Untitled (Friends of Photography) Frank pivoted to avant-garde filmmakingAlfred Stieglitz theme issue including Alfred Stieglitz and Lake George by Graham Clarke; Some Uncollected Writings by Stieglitz; Alfred Stieglitz: Catalogue of his Camera Club Exhibition (1899); and Dissertation Abstracts: Alfred Stieglitz and Related Subjects. Also includes Impressionist Theory and the Autochrome by Anne Hammond; Interview: Fred Zimmerman; Portfolio: Photographs of New York (1932) by Fred Zimmerman; On the 'Impurity' of Group f 64
