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analyzing the physical mechanics of the images
prompting a sixteen-year exploration of militarized
It highlights his stark visual documentation of Bolton (referred to as "Worktown") and Blackpool
and radical perspectives
Camera, February 1973, Volume 52, No. 2. Group f/64. Untitled (Friends of Photography) analyzing the physical mechanics ofThe Henry Swift Collection of the San Francisco Museum of Art. Edited by Allan Porter. Essay by John Humphrey on the evolution of the Swift Collection. Swift, an avid amateur photographer, a friend and collector of Edward Weston, collected Weston's work in the 1920s and together with Weston was an original member of Group f 64. After Swift's death in 1962, his widow Florence, Imogen Cunningham, and others enhanced the collection with additional Group
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